Two Reel Cinema Club

Ines Braga hangs out at the Popcorn Counter with us this week, where she confesses that she really doesn’t like musicals. But there are a few notable exceptions, including last week’s masterpiece West Side Story. Is there a rule that distinguishes good movie musicals from bad ones? Why do The Lion King, Frozen and Moana succeed where others do not? Is it possible to go wrong when you have the Beatles catalogue to draw from? And how does Clint Eastwood fit in to all this?

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Tonight, tonight, we’re joined by screenwriter Ines Braga to sing a song of two musical pictures, the new Leonard Bernstein biopic Maestro, helmed by A Star is Born director Bradley Cooper, and Bernstein’s own 1961 masterpiece, West Side Story. They’re both very enjoyable, but which one has more to say about contemporary la la la la la l’America? Which one paints the most vivid picture of toxic masculinity? Which one can’t quite decide whose story it wants to be? And who forced Stephen Sondheim to change his lyrics before they’d accept a part?

Plus the return of Gary Oldman to Apple TV+, one of us is abducted by a low budget 1950s UFO thriller, we hear a message to Bee Kind from our sponsor, we make an observation about what happens to people who cough in movies, and we watch a Project Runway episode so exciting it makes up pull the cable out of our microphone.

If you enjoyed the show, find us on social media:

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Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

It’s the show we’ve been anticipating for the last twelve months, the Two Reel Cinema Club Film of the Year Show. We’ve seen some masterpieces this year, we’ve seen some real clunkers, we’ve seen some incredible performances and we’ve seen some very eye catching hats. Who will win, who will get a dishonourable mention, and who will leave the ceremony emotional, drunk and bitter as their personal security staff roll them into the back of a white limo with lightly stained upholstery?

We’ve kept our nominations secret from each other, so join us for some lively debate that includes Sergio Leone, Sydney Sweeney, Ralph Fiennes, Cillian Murphy, Da’Vine Joy Randolph, a Hollywood horse, a mini miracle, a disguise based on the outfit of a German tourist and much more.

If you enjoyed the show, find us on social media:

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Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Happy Holidays from the Two Reel Cinema Club, as we watch one of the funniest, dourest and most heartfelt Christmas films we’ve seen in years, Alexander Payne’s The Holdovers. We discover it perched under the mistletoe kissing a film forty years its senior, 1983’s English private school drama Another Country. These two films both examine privilege, wealth and class, while simultaneously exploring the depths of the human heart. But which one features a triple tragedy? Which revolves around a wonky drainpipe? And which one is so good it is more or less 100% cliche resistant?

Plus a preview of a new podcast about Elon Musk, a cameo from the LoFi HipHop girl, our most confessional game of ‘Who Am I?’ yet, a new Netflix misfire, a trip through a Japanese time travel comedy, a highly detailed local weather report, a quick lesson on treating a dislocated shoulder, and a French film that turns out to be a Spanish film when we actually pull the dvd off the shelf…

If you enjoyed the show, find us on social media:

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Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

You might think we saw enough hats for one lifetime last week in Napoleon and Barry Lyndon but no, we want more. Join us as we doff our hats to the finest headgear in Hollywood. Which is the most famous hat in cinema? Who has the biggest hat in the MCU? How did cowboys decide between a black and a white hat? What hat did Zack Braff force Natalie Portman to wear in Garden State? And which of us has a friend who made a hat for Madonna? Well… a kind of hat…

If you enjoyed the show, find us on social media:

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Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Join us in the Eighteenth Century this episode as we compare the new Ridley Scott feature Napoleon with its 1975 forefather, Stanley Kubrick’s Barry Lyndon. It’s an explosion of candlelight and costume design, huge battles and intimate character moments. But it does make us wonder: why is the French Language no longer the Lingua Franca of cinema? What exactly are drummers for on the battle field? And which is the most famous vagina in cinematic history?

Plus: the definition of a good surgeon, the career of UK comic actor Leonard Rossiter, a revisit of a 1990s sci-fi comedy classic, the return of an old podcast sponsor, the joy of watching Bill Murray on a bus, why we wish we lived in the Eighteenth Century and why we’re glad we didn’t. And if you listen very carefully, you may just hear two men say ‘Cameron Diaz’ together in perfect synchronisation…

If you enjoyed the show, find us on social media:

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Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Persepolis, Watchmen, Ghost World, American Splendor, Akira, Gemma Bovary… can you see the pattern yet? After watching David Fincher’s The Killer last week, we look at films that have been adapted from graphic novels. Which ones work, and which ones don’t? And what’s the common factor that makes a good adaptation? Plus, we talk about Paul Giamatti and Scarlett Johansson, falling asleep while Tokyo explodes, video game Visual Novels, Wordle for film nerds, Steve Buscemi’s type casting, and using alternative organs to read…

If you enjoyed the show, find us on social media:

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Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Two films, two assassins, and two hundred thousand bullets this episode, as we watch the new David Fincher film The Killer and compare it to John Woo’s 1989 breakout Hong Kong action spectacular The Killer. There’s no denying the technical craft on display here, but while there’s a lot of bloodshed is there perhaps a little too much rumination? Which of these films should really be described as a comedy? Which one is dedicated to Martin Scorsese? Which film spent most of its budget on candles and squibs? And which film is like a Hallmark movie with a twist? 

Plus a sponsorship offer from an AI company (maybe), a twenty year old Tom Hanks picture all about compassion (maybe), a Portland film with a little toxic masculinity (maybe), and a question about the best way to treat a bullet wound: with more bullets, maybe?

If you enjoyed the show, find us on social media:

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Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

It’s not just a feeling in your bladder, it’s actually true. Films really are getting longer. After struggling with the length of Killers of the Flower Moon last week, we analyse a few statistics about how film length has changed in the last forty years. Is it to do with length of a VHS tape? Or is the rise of streaming to blame, like it is for everything else? Are ‘event films’ the only reason people will leave the house now? What happened to the double feature? Isn’t everything supposed to be short form video now? And what is the new role of cinema in culture?

If you enjoyed the show, find us on social media:

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Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

We take two dark journeys into the American West in this episode as we watch the new Martin Scorsese picture Killers of the Flower Moon, and compare it to Sergio Leone’s 1969 classic Once Upon a Time in the West. It’s an epic total of six hours of gunshots, dirt, crime, money, corruption and revenge, all in Cinemascope. But which film is a textbook in cinematic story telling? Does either film justify its run time? Which actor do we consider the Big Mac of movie stars? And why do we both wish we were Charles Bronson?

Plus a word about socks with fingers, a rewatch of a Studio Ghibli classic for Halloween, a namecheck for 80s TV series Hart to Hart, a rival podcast from Malcolm Gladwell, and a serious question: isn’t the term ‘Spaghetti Western’ a bit racist?

If you enjoyed the show, find us on social media:

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Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com