Author: James Ruzicka

A Different Man vs The Return of Martin Guerre: A Different Martin

We have watched the new Sebastian Stan movie A Different Man this week, a low budget, independent, off kilter comedy drama about an actor with neurofibromatosis who transforms his appearance and alters his identity. But do things change for the better or the worse? We’re comparing it to the classic tale of stolen identity, 1982’s […]

Popcorn Counter: Recording Robert Altman

We’re in conversation with probably the world’s number one sound recordist this week, friend of the pod Mike Primmer, who was the man holding the boom in last week’s film A Prairie Home Companion. Join us for not only the best recorded Popcorn Counter ever, but also for some incredible insights into the making of […]

Popcorn Counter: Musical Elevators

It’s not an episode for those with claustrophobia this week, as we get stuck in the elevator on the way to the Popcorn Counter for the second time. At least we have our microphones, so we take the opportunity to practice our best elevator pitches. With Joker: Folie à Deux fresh in our minds, are […]

Joker’s Umbrella

When Joker made nearly $1.1bn at the box office, a sequel was more or less assured. But who expected a musical? Join us this week as watch Joaquim Phoenix and Lady Gaga in Joker: Folie à Deux and ask: is it possible to turn a comic book movie into anything? What does the film say about […]

Popcorn Counter: Death of an Industry

Join us at the Popcorn Counter this episode, where we ask: where now for the film industry? You, like us, may have read recently about the current contraction of Hollywood and the collapse of streaming. Is cinema’s obituary mere alarmism or an uncomfortable truth? What will happen to the small and mid sized movies? Where […]

The Substance vs Face/Off: Substance Misuse

We’re not entirely sure which of us is which this episode, as we stagger out of the new queasy feminist body-swap horror epic The Substance, and into John Woo’s classic body-swap action adventure Face/Off. These two have plenty in common, with actors chewing the scenery and flesh and blood everywhere. But which film is the […]