Two Reel Cinema Club

It’s quiz night once again at the Popcorn Counter this week, in what we’re going to call ‘Pop Quiz’ from now on. This time: detective movies. Can you name forty detective movies given our cryptic, random and rambling clues? Score over 28 to earn our undying respect. In between the questions, we wonder about Orson Welles’ shooting style, recall some outstandingly well recorded dialogue, and summarise capitalism in a single word.

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Anna Kendrick’s directorial debut Woman of the Hour is our new film at the Two Reel Cinema Club this week, a true life serial killer thriller that mixes perky humour and dreadful violence to powerful effect. We’re comparing it to one of the granddaddies of serial killer movies, 1971’s Dirty Harry. Which film is stacked to the rafters with Christian imagery? Which film takes no interest in the victims of crime whatsoever? Which film feels like four different films squished together? And which film is like a Rosetta Stone that can explain modern American politics?

Plus we have a Portland Maine special edition, with two local horror films, two locally born stars and one local real estate deal, as well as a cameo from Churchill, a surprisingly helpful doctor, a naked blues band, a sauce that goes with everything, a real life baddie from the seventeenth century, a complaint from the cliché squad about the colour orange, and a surprise guest appearance by Donald Trump’s ear.

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

It’s not an episode for those with claustrophobia this week, as we get stuck in the elevator on the way to the Popcorn Counter for the second time. At least we have our microphones, so we take the opportunity to practice our best elevator pitches. With Joker: Folie à Deux fresh in our minds, are there any other well known properties that would benefit from a musical redo? Which three films from recent podcasts would we love to see in song? Which three outliers from cinematic history deserve a fresh lease of life with the benefit of a few show tunes? And will we finish our pitches before the fire service arrives to perform a daring rescue?  (Spoiler: yes).

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

When Joker made nearly $1.1bn at the box office, a sequel was more or less assured. But who expected a musical? Join us this week as watch Joaquim Phoenix and Lady Gaga in Joker: Folie à Deux and ask: is it possible to turn a comic book movie into anything? What does the film say about the state of the world? Is society a civilising force or a tissue-thin cover for anarchy? And how does this new film compare to the movie to which it pays a twisted homage, 1964’s sweet and colourful The Umbrellas of Cherbourg? 

Plus we enjoy a new Pixar home run, we watch a documentary about surfing, we wonder what it would be like to read the Bible at 40, we tell a true life story about being arrested, we flick through DSM 5, we try on a new brand of underwear, and we question the significance of cults centred around criminal television personalities.

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Join us at the Popcorn Counter this episode, where we ask: where now for the film industry? You, like us, may have read recently about the current contraction of Hollywood and the collapse of streaming. Is cinema’s obituary mere alarmism or an uncomfortable truth? What will happen to the small and mid sized movies? Where are the opportunities for new and established writers going to come from? Will there be any end to superhero sequels and IP movies? And most importantly, who’s going to make the popcorn?!

Articles referenced: 

https://www.bbc.co.uk/news/articles/cj6er83ene6o

The Life and Death of Hollywood

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

We’re not entirely sure which of us is which this episode, as we stagger out of the new queasy feminist body-swap horror epic The Substance, and into John Woo’s classic body-swap action adventure Face/Off. These two have plenty in common, with actors chewing the scenery and flesh and blood everywhere. But which film is the most joyful? Which film has the most convincing medical procedures? Which film has perfect casting? And which film is 15% gyrating butts?

Plus a look at Coralie Fergeat’s previous films Revenge and Reality+, a trip to a puppet theatre, a surprise appearance by John Lennon, a colourful burst of Fellini, a new, delicious and educational sponsor that one of us can barely pronounce, and Christian Slater retrieves a nuclear bomb.

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Everyone loves a ghost story … but gather around in the darkest, quietest corner of the popcorn counter this episode as we tell you a strange and chilling story about how EVERY film is really a ghost story. Well, kind of. We try our theory out on not just The Sixth Sense and Ghost, but The Shining, It Follows, Oculus, Ring, and even Vertigo and Citizen Kane… So what are ghost films really about? And when is it time to slough off this mortal coil and move on…?

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Everyone loves a ghost story … but gather around in the darkest, quietest corner of the popcorn counter this episode as we tell you a strange and chilling story about how EVERY film is really a ghost story. Well, kind of. We try our theory out on not just The Sixth Sense and Ghost, but The Shining, It Follows, Oculus, Ring, and even Vertigo and Citizen Kane… So what are ghost films really about? And when is it time to slough off this mortal coil and move on…?

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

This episode we’re descending into hell and watching Beetlejuice Beetlejuice, confirming that ‘belated sequels to hits from the 80s’ looks like it’s going to be a thing… Most of the cast is back, as are a number of the same gags. But instead of comparing it to the 1988 original movie, Beetlejuice, we’ve spread our net a little wider to draw parallels with the masterful 2001 Nicole Kidman slow burn supernatural thriller The Others. Two haunted houses, two anxious mothers, two gothic confections. But which film features so many subplots that we forgot half of the characters completely? Which film plays with our expectations and pulls out the rug so often it threatens to destroy the whole carpet? And which film stars one of the greatest comedians of all time….?

Plus Vince Vaughn returns as a detective, a Clive Barker classic shows us how horror really works, the Cliche Squad has to establish a specialist ‘hell’ division, we briefly summarise 70s cult novel The Diceman, our sponsor clears the air for us, and one of us wakes up screaming in real life. This podcast is so random!

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

You may think you’ve heard some nerdy podcasts in the past, but we’re going to ask you to buckle up your space suits and accelerate away from the Earth with us into the nerdiest possible sector of the whole galaxy this episode. We’ve seen a few films set in the deepest reaches of space recently – but out of the whole cinematic canon, which film is set FURTHEST from Earth? We’ve done some research, we’ve drawn some charts and we’ve made some calculations, and we think we have an answer. But is the winner a film from Stanley Kubrick, John Carpenter, Ridley Scott, or someone else entirely…?

If you enjoyed the show, find us on social media:

Instagram: @tworeelcinemaclub

Contact us at [email protected]

Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com