Author: James Ruzicka

Marie Antoinette and the Suspended Plot Point

We watched Sofia Coppola’s feature Marie Antoinette (2006) this weekend. Goodness knows what inspired the daughter of Francis Ford Coppola to make a film about how hard it is being the offspring of a great emperor. The costumes are doing the heavy lifting here, supported by some great hair and the easy charisma of Kirsten […]

Show Me, then Tell Me, then Tell Me Again

So I saw the trailer for the new DC picture Black Adam the other day. I don’t know much about the character, he’s played by Dwayne Johnson, he looks bad-assed, a bunch of things blow up. But one thing about the trailer really stuck in my mind as a potent symbol of contemporary cinematic story […]

Episode 16: Popcorn Counter: Monsters

Don’t believe what your parents told you, monsters are definitely real. After watching Godzilla and Jurassic World, we talk at the Popcorn Counter about a few of our favourite monster pictures, explain why we’re wary of swimming in three feet of water and lament the end of the broadcast television late night scare movie.

Father of the Bride (1991)

We sometimes struggle to find family films to please everyone in our house. My children really dislike violence on screen, and it’s only when watching older films through their eyes that I realise how very violent many of the films I watched as a boy were. Roger Rabbit? They dissolve the cartoon characters in acid […]

Episode 15: The Jurassic Error

We’ve been to see Jurassic World Dominion for this episode, the sixth movie in a franchise that now feels a little like it dates back 65 million years. There’s a lot of stuff on fire in this film, but can it hold a candle to 1954’s Godzilla, the original Jurassic monster movie that stamped out […]

Introducing Characters

One of the ideas that came up while we were discussing Jurassic World Dominion this week was the importance of introducing characters. It’s always worth going back to good films and exploring how the most memorable characters made their entrances, and my usual, go-to example is Terminator 2. The first time we see Sarah Connor, […]